“ Dumitrescu’s music  is spectral, electroacoustic, but above all it is a coherent totality grounded in a different conception. Of all living composers, Dumitrescu is the one who has most exploded sound. Dumitrescu's work is a negation, from the depths, of everything in contemporary music symptomatic of distraction, of banalisation, and of a radical loss of purpose. His music is not a new convolution in the knot of modern music, but an unravelling of the curse. (...) One of the first pieces I heard was “Pierres Sacrées”;  I was very struck - as were many other people - by the sound of this music. It seemed quite unlike the usual sound of contemporary composed music. It had far more distortion, noise and violence. There seemed to be a shift away from stable fundamental frequencies, and a greater emphasis on the unstable aspects of sound...”           Tim HODGKINSON -  RESONANCE - London